The Haunted - The Dead Eye
It's official. There's now an early The Haunted and a late The Haunted with "rEVOLEr" being the demarcation line. If "rEVOLVEr" was the musical equivalent of driving perilously fast into Dead Man's Curve, "The Dead Eye" blew right past the warning signs and flew full throttle off the cliff with nary a skid mark. To call all this a metal album is being very, very generous. Most of it floats by like a slightly more sinister version of American radio hard rock. There are soft, spoken word parts and there are melodic hard rock choruses but what there's not is even a hint that this is the same band that crafted "One Kill Wonder" or "Made Me Do It". This may not be as drastic a move as Metallica following "...And Justice For All" with the black album, especially given the early warning signs on "rEVOLEr", but damn if The Haunted didn't use the worst elements of that album to make this entire record.
That means the occasional watered down pseudo thrash riff being dominated by melodic hard rock and slow, clean passages. Some of these serve no better purpose than to provide a platform for Dolving's spoken word prose, which never fails to completely ruin the song and make you pine for the days of Marco Aro. The one and only time I’ve ever enjoyed a spoken word piece during a metal song is at the end of Slayer's "Mandatory Suicide" and that was eighteen years ago. I'm sure they think this focus on spoken word and slower, melodic guitars have helped them craft a "creepy" dark hard rock record that is a little more metal and "dangerous" than their competition but really "The Dead Eye" puts them in an awkward position of being a bit too hard for the radio but not hard enough for the underground metal community.
I don't want to give the impression this entire album is soft and flabby. There are a few throwback areas, notably on "The Medication", "The Shifter" and the "The Stain" but, although these brief thrash based riffs sound like sweet nectar of the gods, it's only because of the lackluster surroundings. If you spin any song on any of the first three records you'll hear something that blows it away. Really it's just an attempt to grab at anything that resembles their former self no matter how pale in comparison it is. And that's the feeling that comes across the entire album, just trying to find anything that sounds remotely similar to their sound of yore.
To be sure, there are many examples of bands making successful transitions to different genres, notably early grind kings Carcass and punk/metal crossover acts like Corrosion Of Conformity and D.R.I., but there’s also a TON of bands that fail, alienating their core audience and losing years of hard won credibility. In The Haunted's case I don't see The Dead Eye being looked upon very favorably by long time fans, now or ever. I think this will be a permanent stain on their catalog that is either the beginning of the end or an embarrassing side step that gets swept under the carpet by a series of back to basic follow-ups. Following that thinking, let’s hope these are the darkest days in The Haunted's career. Let’s pray that, stung with low sales and fan disappointment, they head back to their roots to deliver a monster metal beast on par with their early work the next go around. Or we can just hope Witchery doesn't start to totally suck too.
That means the occasional watered down pseudo thrash riff being dominated by melodic hard rock and slow, clean passages. Some of these serve no better purpose than to provide a platform for Dolving's spoken word prose, which never fails to completely ruin the song and make you pine for the days of Marco Aro. The one and only time I’ve ever enjoyed a spoken word piece during a metal song is at the end of Slayer's "Mandatory Suicide" and that was eighteen years ago. I'm sure they think this focus on spoken word and slower, melodic guitars have helped them craft a "creepy" dark hard rock record that is a little more metal and "dangerous" than their competition but really "The Dead Eye" puts them in an awkward position of being a bit too hard for the radio but not hard enough for the underground metal community.
I don't want to give the impression this entire album is soft and flabby. There are a few throwback areas, notably on "The Medication", "The Shifter" and the "The Stain" but, although these brief thrash based riffs sound like sweet nectar of the gods, it's only because of the lackluster surroundings. If you spin any song on any of the first three records you'll hear something that blows it away. Really it's just an attempt to grab at anything that resembles their former self no matter how pale in comparison it is. And that's the feeling that comes across the entire album, just trying to find anything that sounds remotely similar to their sound of yore.
To be sure, there are many examples of bands making successful transitions to different genres, notably early grind kings Carcass and punk/metal crossover acts like Corrosion Of Conformity and D.R.I., but there’s also a TON of bands that fail, alienating their core audience and losing years of hard won credibility. In The Haunted's case I don't see The Dead Eye being looked upon very favorably by long time fans, now or ever. I think this will be a permanent stain on their catalog that is either the beginning of the end or an embarrassing side step that gets swept under the carpet by a series of back to basic follow-ups. Following that thinking, let’s hope these are the darkest days in The Haunted's career. Let’s pray that, stung with low sales and fan disappointment, they head back to their roots to deliver a monster metal beast on par with their early work the next go around. Or we can just hope Witchery doesn't start to totally suck too.
